Indústria Imaginária | Produção de filmes e conteúdos para TV

A Indústria Imaginária foi fundada por Ricardo Nauenberg após 10 anos de atuação na TV Globo . Atua na produção de filmes e conteúdos para TV



Estreia em 29 de dezembro a série sobre o estúdio de gravação NAS NUVENS no canal ARTE 1, com LULU SANTOS, TONY BELLOTTO, PARALAMAS, FERNANDA ABREU, PAULA TOLLER E SÉRGIO MENDES... LIMINHA desvenda com cada um o que é ser uma fábrica de HITMAKERS.|Em REPRISE devido a alta AUDIENCIA, exibição no BIZ- MULTISHOW canal 120 OU 620 da NET, a série AUDIO RETRATO.... 6 doco-musics com de Gilberto Gil, Lenine, Fernanda Abreu, Dinho Outro Preto e o Capital Inicial, Evandro Mesquita e a BLITZ, e Gabriel o Pensador... em breve reprise da SEGUNDA TEMPORADA| O INVENTOR DE SONHOS com Stênio Garcia, Luis Carlos Vasconcelos, Ricardo Blat, Ícaro Silva, e Guilhermina Guinle em exibição no TELECINE TOUCH

In Production

AUDIO PORTRAIT – fernanda abreu

Funk Carioca

In RIO’S FUNK, Fernanda Abreu talks about the origins, singularities and prejudices about the rhythm that was born in marginalized areas. A pioneer in the FUNK movement in Brazil (which is unrelated to the one currently developing in Rio’s marginalized areas), Fernanda was one of the first to dive into the activity created in the marginalized areas, living witness to how the rhythm broke the American pattern and took its own flight… Good or bad? What is the creative activity of the marginalized suburbs and who are its heroes? She was the first to bring up the Rio culture and funk (a phenomenon), since its incursion by Fausto Fawcet, Regininha Poltergeist (a pioneer of the big-booty girls) defined by its own aesthetics. The comparison between the USA Gangsta and the Proibidão of the city’s marginalized areas, etc… the music that marked the issue…

The series AUDIOPORTRAIT delivers the word so the artist can develop a theme that has never been talked about. It is a show about the person, not the persona, giving the spectator an opportunity to join intimately the real person. It’s like a casual conversation where the spectator is in the second row, behind the silhouette of another participant.

It is a show that stemmed from the documentary WHITE BLACK and BLUES with BB KING, filmed in a differential format… it wasn’t just the music… it was a testimony about an issue that has impacted his career and, more than anything, a life’s story. In BB KING’s case, as a blues musician, touring across America for over sixty years, he narrated the changes in African-American civil rights during the second half of the 20th century, where music had an instrumental role. As an eyewitness to everything that was going on, he has credit as a consistent narrator, mixing narrative with musical performances. It’s not the career… it’s a point of view… an AUDIO PORTRAIT. Music is only the frame where history, in form of a testimony, truly shines… great developments narrated by someone who lived them.

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